In his first directorial work in Poland, Kornél Mundruczó depicts the depths of the human soul pretending to be God. The performance, which opens at TR Warsaw, analyses the different aspects of euthanasia in two parallel stories. The Bat is the first part of a trilogy about the subject of suicide. The second part of the trilogy, Dementia, will premier at Trafó. The director claims that the performance of the Proton Theatre will try to draw people’s attention to the fact that the ways in which we treat our elderly and our mentally ill is a window into deeper aspects of our society. The third part of the trilogy will focus on suicide committed by the individual.